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Total Recall (2012)

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Colin Farrell's newest sex tape was even more embarrassing than the original

Colin Farrell's newest sex tape was even more embarrassing than the original

FADE IN:

EXT.  CGI GLOBE

                              OPENING TEXT
               At the end of the 21st century, global
               chemical warfare left the planet nearly
               uninhabitable.  Living space is now
               Earth's most valuable resource.  Except
               for our blue-collar hero, Colin Farrell. 
               He gets a pretty sweet multi-room
               apartment.

The GLOBE OSCILLATES, FOCUSING in on KEY LANDMASSES.

                              OPENING TEXT
               Only two territories remain: the United
               Federation of Britain and Australia, which
               we'll call 'the Colony' to reinforce the
               probably-deserved stereotype that
               Australia is a convict wasteland.  Also,
               even though this movie is set less than
               one hundred years from now and is set in
               Britain and Australia, don't panic:
               everyone talks 'Murican!
                                                                 CUT TO:

INT.  COLIN FARRELL'S PRETTY SWEET MULTI-ROOM APARTMENT

COLIN FARRELL awakens from a DEFINITELY NOT A FLASHBACK DREAM involving
JESSICA BIEL, KILLER ROBOTS and LIGHTS that seem to exist only to
trigger EPILEPTIC FITS.

                             COLIN FARRELL
               Ahh!  Dear God, what a terrible dream!  

                            KATE BECKINSALE
               Another nightmare, honey?

                             COLIN FARRELL
               The same one.  I'm trapped in a cynical
               and unnecessary remake of a goofy sci-fi
               classic.  It was horrible!

                            KATE BECKINSALE
               Oh, sweetie, don't worry.  Just lie back
               and relax as the news broadcast drip-feeds
               the entire plot to the audience.

KATE BECKINSALE leaves for work.  COLIN FARRELL allows the LENS FLARE to
glisten off his ABS a little longer, then watches the NEWS.

                              NEWS ANCHOR
               This just in: another terrorist attack was
               committed by BILL NIGHY -

The TELEVISION flashes a picture of BILL NIGHY.

                              NEWS ANCHOR
               -which prompted condemnation from
               Chancellor BRYAN CRANSTON-

The TELEVISION flashes a picture of BRYAN CRANSTON.

                              NEWS ANCHOR
               -but Bill Nighy's RIGHT HAND MAN remains
               at large!

The TELEVISION SCREEN remains blank.  What a mystery!
                                                                 CUT TO:

EXT.  STOLEN BLADE RUNNER SET

COLIN FARRELL mopes his way through a very familiar ASIAN-EUROPEAN
HYBRID SCI-FI BACKDROP.  Somewhere, RIDLEY SCOTT picks up his PHONE and
calls his LAWYERS.

                             ADVERTISEMENT
               Hey, you!  Do you want a dubious solution
               to your existential angst?  Call Rekall,
               we'll put memories in your head!

                             COLIN FARRELL
               Hmm, that's actually a profound idea: the
               commodification of our memories and
               experiences.

TERRIFIED of stumbling across an interesting point from the source
material, the FILM rapidly cuts away to another scene.
                                                                 CUT TO:

EXT.  SERIOUSLY, I THINK THEY STOLE THE BLADE RUNNER SET

COLIN FARRELL meets up with his buddy, BOKEEM WOODBINE.

                            BOKEEM WOODBINE
               Hey Colin, ready to go to work?

                             COLIN FARRELL
               Bokeem, is that you?  There's so much
               goddamn lens flare on the screen, I think
               J.J. Abrams may have jizzed on the film
               reel.

                            BOKEEM WOODBINE
               Oh, Colin.  You're so fresh.  Let's banter
               awkwardly to reveal our complete lack of
               chemistry!

                             COLIN FARRELL
               Actually, let's not, it'll cut into my
               opportunities to look pained and slightly
               constipated.

                            BOKEEM WOODBINE
               Fair enough.  How about we travel to work
               on this gravity elevator which travels
               through the centre of the earth?

                             COLIN FARRELL
               You know, it's funny.  I read a book once
               that seemed to suggest the centre of the
               earth was, you know, molten or something. 
               I wouldn't have thought you could build a
               subway through it.

                            BOKEEM WOODBINE
               Well, as long as later you don't have to
               do any fight scenes OUTSIDE the elevator,
               where you'd be instantly incinerated, I'm
               sure you'll be gravy!

They HIGH-FIVE.
                                                                 CUT TO:

EXT.  ...IS THIS EVEN LEGAL?

COLIN FARRELL walks to REKALL, but not before getting accosted by a
WOMAN WITH THREE BOOBS.

                          MULTI-BREASTED WOMAN
               Is this what you're looking for?

                             COLIN FARRELL
               Well, there's no mutant sub-plot in this
               remake, so your surplus knockers will be
               A) completely nonsensical for people who
               didn't see the original and B) a sad
               reminder that - and I'll never say this
               again, ever - the Schwarzenegger film made
               more sense.

                          MULTI-BREASTED WOMAN
               Your arguments have some merit.  However,
               to rebut your position: three boobs.

                             COLIN FARRELL
               Good point.
                                                                 CUT TO:

INT.  REKALL OFFICES

COLIN FARRELL meets with his REKALL engineer, JOHN CHO.

                             COLIN FARRELL
               OK, John, fix me up with an awesome memory
               about being a secret agent.  And I swear,
               if I wake up thinking I want to go to
               White Castle, I'll end you.  

                                JOHN CHO
               No problem, dude.  

                             COLIN FARRELL
               These memories, though; they're not real,
               are they?

                                JOHN CHO
               What is real?  Perception is just chemical
               signals interpreted by your brain-

                             COLIN FARRELL
               Whoa, whoa, ease up there, Laurence
               Fishburne.  Let's not rape and pillage
               every sci-fi film in existence.  Just
               start the procedure, already!

The PROCEDURE GOES WRONG (though not as entertainingly as the original).
 CHANCELLOR BRYAN CRANSTON'S STORMTROOPERS enter and KILL JOHN CHO!

                             COLIN FARRELL
               Wait, don't shoot!  This is a
               misunderstanding!

                              STORMTROOPER
               Alright, we won't shoot.

                             COLIN FARRELL
               Well, this is awkward.  I guess this is
               the end of the film unless I FREAK OUT AND
               KILL EVERYONE WHILE THE CAMERA GOES
               BATSHIT CRAZY!

He DOES!  And IT DOES!  COLIN FARRELL escapes through a HOLE in the
FLOOR which exists for REASONS.
                                                                 CUT TO:

INT.  COLIN FARRELL'S PRETTY SWEET MULTI-ROOM APARTMENT

                             COLIN FARRELL
               Kate Beckinsale, you have to help me!  I
               killed a horde of armed men, there's
               something hidden inside my brain and I
               indirectly caused the death of Mr Sulu!

                            KATE BECKINSALE
               It's OK, Colin.  Just hug me and
               everything will be fine.

KATE BECKINSALE hugs COLIN FARRELL tight, then stares into the middle
distance with STEELY DETERMINATION.

                             COLIN FARRELL
               ...are you trying to smother me against
               your boobs?

                            KATE BECKINSALE
                 (sudden British accent)
               Yes.  I admit, I didn't think this
               through.  Anyway, die!

COLIN FARRELL and KATE BECKINSALE beat each other up.  COLIN FARRELL
wins, because KATE BECKINSALE is not GINA CARANO.

                             COLIN FARRELL
               Kate Beckinsale, why are you trying to
               kill me?!  And why are you suddenly
               talking like you're from foggy London
               Town?!

                            KATE BECKINSALE
               I'm not your wife.  I'm an undercover
               agent of the villainous British Empire,
               sent to monitor you because apparently
               they don't have CCTV in the future.

                             COLIN FARRELL
               Crap, I'd better get out of here.  Richter
               will be bursting through that door any
               moment -

                            KATE BECKINSALE
               There's no Richter.

                             COLIN FARRELL
               No Richter?

                            KATE BECKINSALE
               No Richter.  The director wrote out a list
               of the most popular bits of the original
               film worth preserving for the remake,
               spilled coffee all over it, and could only
               make out "triple-breasted woman".

                             COLIN FARRELL
               But...but...who's going to see me at the
               party?

KATE BECKINSALE punches THE AIR NEXT TO COLIN FARRELL some more,
prompting COLIN FARRELL to RUN AWAY!
                                                                 CUT TO:

EXT.  CITY

COLIN FARRELL runs and runs and runs.

                             COLIN FARRELL
               Let's recreate a blander version of the
               tracking-bug-in-the-nose scene from the
               original!

COLIN FARRELL runs some more.
                                                                 CUT TO:

INT.  HOTEL

                             COLIN FARRELL
               Let's recreate a blander version of the
               video-message-from-myself scene from the
               original!

Deciding not to buck an emerging trend, COLIN FARRELL runs away.
                                                                 CUT TO:

INT.  CUSTOMS

                             COLIN FARRELL
               Let's recreate a blander version of the
               "two-weeks" scene from the original -

JESSICA BIEL turns up in a HOVERCAR.

                              JESSICA BIEL
               Colin, let's get out of here!

                             COLIN FARRELL
               Oh, thank God.

                              JESSICA BIEL
               I've been looking for you everywhere,
               Colin.  I'm your love interest from when
               you were a reformed dick.  Thank goodness
               I knew exactly where to pick you up from,
               even though we've clearly established that
               I didn't know what your plan was, your
               plan was entirely improvised and, in any
               event, a complete cock-up.

                             COLIN FARRELL
               Kate Beckinsale and her band of CGI robots
               will hound me wherever I run!  I've got to
               get my ass to Mars -

                              JESSICA BIEL
               No Mars.

                             COLIN FARRELL
               No Mars?  Seriously?

                              JESSICA BIEL
               List.  Coffee.  Be glad you got the
               tri-tittied extra.

                             COLIN FARRELL
               Well, I guess some more prefab white and
               gunmetal grey interiors will have to do. 
               *Sigh*
                                                                 CUT TO:

INT.  APARTMENT BUILDING

More vapid soul-searching and tail-chasing ensues.  Eventually, COLIN
FARRELL and JESSICA BIEL find COLIN FARRELL'S original apartment.  COLIN
FARRELL sits down in front of his old PIANO.

                             COLIN FARRELL
               Hmm.  Perhaps playing the piano will
               inject this film with an artificial sense
               of dignity.

COLIN PLAYS, triggering another VIDEO RECORDING of PAST COLIN FARRELL!

                           PAST COLIN FARRELL
                 (Actual line)
               Hello, Colin.  This recording has limited
               interactive capability.

                             COLIN FARRELL
               But it's a recording.  That makes no sense
               whatsoever.

                           PAST COLIN FARRELL
               I will begin by recording an answer to any
               questions you may have for me about
               aardvarks.

COLIN FARRELL and JESSICA BIEL run from the apartment, but are
surrounded by STORMTROOPERS - and BOKEEM WOODBINE!

                            BOKEEM WOODBINE
               Colin, as your magical black friend, I've
               been sent inside your damaged mind to help
               you.  You can't trust Jessica Biel's
               judgment - she's not real.

                              JESSICA BIEL
               Don't trust Bokeem's judgement!  He was in
               a M Night Shyamalan film!  The most recent
               one!  

                            BOKEEM WOODBINE
               You're not really here, you're still back
               at Rekall!  I'm not invested in the
               outcome of this - none of this is real.

                             COLIN FARRELL
               Seriously?  You're wearing a BULLET-PROOF
               MOTHERFUCKING VEST.

                            BOKEEM WOODBINE
               Er...  it's a futuristic fashion
               statement?

COLIN shoots BOKEEM and runs.
                                                                 CUT TO:

INT.  REBEL BASE

                              JESSICA BIEL
               Alright, Colin.  I feel like we've really
               gotten close to each other in the past few
               hours.  Running from Kate Beckinsale,
               running from robots, shooting Bokeem
               Woodbine...

                             COLIN FARRELL
               It's been an emotional rollercoaster.

                              JESSICA BIEL
               I couldn't agree more.  So I finally trust
               you enough to take you to Bill Nighy.

COLIN reaches the REBEL BASE, populated with GRIMY DREADLOCKED ETHNIC
MINORITIES and BILL NIGHY.

                               BILL NIGHY
               Hello, Colin.  Why are you here?

                             COLIN FARRELL
               Well, I'd be lying if I said I didn't want
               to look at your belly, but...

                               BILL NIGHY
               But you already know the truth, don't you?

                             COLIN FARRELL
               No gross animatronic fetus puppet?

                               BILL NIGHY
               I'm sorry, son.  Disappointments all
               round.  Let's just go through some more
               'Matrix' theory-of-consciousness bullshit
               and strap you into another memory machine.

COLIN FARRELL is strapped into another CHAIR and MEMORY-PROBED. 
Suddenly, CHANCELLOR BRYAN CRANSTON'S TRAP is SPRUNG and the HEROES are
CAPTURED!

                            CHANCELLOR BRYAN
                                CRANSTON
               Hello, Bill Nighy.  

                               BILL NIGHY
               Cranston!  You boundless reservoir of
               rubber-faced slapstick or simmering rage,
               depending on what the role calls for!

                            CHANCELLOR BRYAN
                                CRANSTON
               I can't believe you fell for my scheme,
               Nighy.  The old
               wipe-an-elite-solider's-memory-then-leave-
               him-in-a-dead-end-job-until-he-leads-me-to
               -the-rebel-leader-in-the-vain-hope-that-hi
               s-memory-won't-be-reactivated-by-a-common-
               medical-procedure-triggering-a-massive-cha
               se-and-counterintuitive-attempts-by-rogue-
               agents-to-kill-said-sleeper-agent trick. 
               Oldest trick in the book!  Anyway, I've
               got a joke for you.  Say "knock knock".

                               BILL NIGHY
               Uh...  knock knock?

                            CHANCELLOR BRYAN
                                CRANSTON
               I AM THE ONE WHO KNOCKS!

CRANSTON shoots BILL NIGHY.

                              JESSICA BIEL
               No!

                            CHANCELLOR BRYAN
                                CRANSTON
               Perfect.  Now, plug Colin Farrell back
               into the machine and turn him into a dick
               again.  I'm going to go assault all of
               Bill Nighy's remaining bases, leaving me
               free to plunder all of Australia's
               precious natural resources: living space,
               alcoholism and Hugh Jackman!

CRANSTON leaves.  Immediately, COLIN FARRELL escapes and kills EVERYONE.

                             COLIN FARRELL
               It's good to know that even in the future,
               evil dictators feel the need to excuse
               themselves from the room before the heroes
               are conclusively dispatched.
                                                                 CUT TO:

EXT.  HANGAR

COLIN FARRELL kills his way to BRYAN CRANSTON with ADMITTINGLY
IMPRESSIVE SPEED.

                            CHANCELLOR BRYAN
                                CRANSTON
               Alright, that's it.  You may have killed
               legions of highly-trained guards,
               armour-plated robots and living weapons,
               but can you handle...a middle-aged
               politician?!

COLIN FARRELL and BRYAN CRANSTON fight.  It is, quite frankly,
EMBARRASSING.

                            CHANCELLOR BRYAN
                                CRANSTON
               You could have had it all, Colin!  Money,
               power, all the Kate Beckinsale you wanted!

                             COLIN FARRELL
               NEVER!  ...wait, does she still have that
               leather bodysuit from 'Underworld'?

                            CHANCELLOR BRYAN
                                CRANSTON
               No, I think she had to give that back.

                             COLIN FARRELL
               Then NEVER!

COLIN FARRELL kills BRYAN CRANSTON.  Something BLOWS UP for COLIN to
jump away from.
                                                                 CUT TO:

INT.  MEDIBAY

COLIN wakes up being treated by JESSICA BIEL.

                             "JESSICA BIEL"
               Surprise!  I'm Kate Beckinsale in
               disguise!  I used the holographic whatever
               from earlier in the film to get close to
               you!

                             COLIN FARRELL
               You do know I was just unconscious, right?
                You could have been dressed in a clown
               suit and I wouldn't have noticed.

                            KATE BECKINSALE
               Well, shoot.

                             COLIN FARRELL
               If you insist!

COLIN FARRELL kills KATE BECKINSALE.  The REAL JESSICA BIEL turns up and
HUGS COLIN.

                              JESSICA BIEL
               We did it!  Cranston is dead!  Now we can
               begin the violent and painful process of
               deposing the remaining nine-tenths of his
               murderous dictatorship, no doubt resulting
               in thousands of deaths and untold
               destruction.

                             COLIN FARRELL
               I guess I would have caused significantly
               less pain and suffering if I had remained
               a bad guy.  How funny is that!

They HIGH-FIVE.

END

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